It was difficult to reconcile this smiling, at-ease Banks with the Instagram insult-flinger.
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She graciously threw free T-shirts into the crowd, at one point called a halt to ensure all was well with uberfans up front, and said sorry – sort of – for the "ugly" slur, dedicating her track Liquorice "to all the beautiful Irish women". Even though she left the sell-out audience waiting until 9.35pm before she arrived on stage, and then performed for a little over an hour, every second under the spotlight was a masterclass in concision from Banks – who, in addition to her skills as a rhymer, is blessed with roof-raising vocals.
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How much of all this has been calculated provocation? It was telling that, on stage at the Academy, Banks was a picture of restraint and professional cool. So perhaps Ireland’s women – including the Rose of Tralee, Kirsten Mate Maher, with whom Banks also clashed online this week – can consider themselves in esteemed company. In 2015 the rapper risked alienating her many gay fans by getting into a fight with a fellow passenger as they got off a Delta Air Lines flight, in the course of which she called a Delta employee a “f**king f**k”.īanks would subsequently file a police report accusing the actor Russell Crowe of calling her a n****r and is involved in an ongoing spat with the tech entrepreneur Elon Musk and his musician girlfriend, Grimes, the details of which would fill more pages than the final three Harry Potter books. "Wow, how ignorant," Banks exclaimed in 2012, after the Dublin socialite tweeted lyrics to 212 and added that she "wasn't black enough" to "tease" the rest of the song.Ĭould Banks have been winding us up solely to draw attention to her short Ireland and UK tour? And, if so, can all publicity really be good publicity? She would go on to feud with – deep breath – Lady Gaga, Iggy Azalea, Rihanna, Pharrell Williams, Rita Ora and Kendrick Lamar, among others.Įven Amanda Brunker came in for a pummelling. By then music had changed and artists such as Taylor Swift were mastering the art of forging intimate relationships with their fans via social media.īanks could never attune herself to this cuddly paradigm and continued to use the internet to kick dirt in the faces of her perceived detractors. Her debut (and so far only) album, Broke w ith Expensive Taste, didn't see daylight until November 2014, a lifetime after that initial hype.
She has never really regained her momentum. I came here to cut some f**king records.'" I was, like, 'I didn't come here for a date. "He wound up calling me 'amateur' and shit, and the XL interns started talking shit about me. "Richard was cool, but as soon as I didn't want to use his beats it got real sour," she said. Banks didn't hold back about their differences. Hot Press quickly interviewed her, NME slapped her on its cover before she had put out an album – a big deal even as late as 2012 – and she featured prominently on the BBC's Sound Of… list, the broadcaster's annual barometer of up-and-coming talent.Īlas, then the wheels came off, as she fell out with XL's boss, Richard Russell.
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XL valued artistic independence but also knew how to flog music to the masses. She was signed to XL Recordings, the label behind the rise of Adele, FKA Twigs and MIA.
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